Experienced
With 20+ years of agency, broadcast and digital editing experience, Andy offers seamless delivery across broadcast, digital, social and OOH.
Colour & Finishing
Your project needs a polished, broadcast-ready look. Andy’s colour and finishing service focuses on the final elevation of your visual media: refining colour grades, balancing multi-camera setups and perfecting every frame. Andy works closely with your agency team to establish a distinct visual style, enforce brand consistency, and ensure your final deliverable meets the highest technical standards across broadcast, digital and cinema platforms.
Work
Service
Flexible
Working in your edit suite or from a remote edit suite, Andy can cut your project in Adobe Premiere Pro or DaVinci Resolve.
Collaborative
Andy uses Frame.io for frame-accurate feedback, including markup, with separate review cycles for agency and clients.
Remote
Direct access to the edit suite, even remotely. Join Andy for live-streamed creative sessions as the edit comes together.
Questions, answered
General
What types of projects does Andy specialise in?
Andy specialises in both short-form and long-form edits, including TV shows, strategy-led corporate communications, customer advocacy stories, brand campaigns, documentary content, event coverage and large-scale learning initiatives for enterprise, government and global brands.
Can Andy work remotely, or on-site?
Both. Andy is fully equipped for remote collaboration and on-site editing.
For remote projects, Andy uses Frame.io, cloud storage and video chat, so clients, directors and agency teams can upload assets, review cuts, leave time-stamped feedback and join live editing sessions from anywhere.
Can Andy handle high-volume or ongoing content retainers?
Yes. Andy works on both project-by-project engagements and ongoing retainers for organisations with recurring video needs, such as training suites or regular customer advocacy pipelines.
Process
How are revisions and client feedback handled?
Reviews run through Frame.io, so stakeholders can leave frame-accurate, time-stamped comments and annotations. Andy typically sets up separate review streams for internal and client-facing feedback.
Standard projects include two to three rounds of revisions before picture lock.